Bio-Kin-Tsugi is a trans-disciplinary tool to bridge science and society and challenge the ethics of synthetic biology. Inspired by the ancient Japanese craft to mend ceramics with gold or silver (Kin-Tsugi), this project re-evaluates the concept of repair and recovery, and introduces bioengineering technologies for growing a “scar” of biomatter – with the help of fungus and bacteria – over the cracks. This novel interpretation of Kin Tsugi with biotechnology is called Bio-Kin-Tsugi. Using synthetic biology approaches, novel biological materials as alternative adhesives will be developed. We expect the involvement of ceramic artists to inspire biotechnologists to look differently at their science and engineering. The creation of Bio-Kin-Tsugi objects will contribute to the emerging and substantial international field of bio-arts and will help inform audiences to shape their opinions on biotechnologies.
The project consists of two parts. The first (more bio-artistic) part will be covered by an artist-engineer/biologist, Christina.stadlbauer (postdoc), and a PhD student (Bénedicte Amery under supervision of professor Marjan De Mey at Ghent University). The second part, a PhD student (starting from October 2022 onwards under supervision of professor Katrien Schaubroeck and dr. Leni Van Goidsenhoven at the University of Antwerp), aims to think about healing, scars, pain, restorative justice, and bereavement from a philosophical angle. As an art form (Bio-)Kin-Tsugi shows rather than hides scars and thus challenges us for a reimagining of concepts like repair and healing. Bio-Kin-Tsugi could, for instance, serve as a metaphor that reorients our thinking of what well-being and flourishing mean in different contexts and for different bodies. The introduction of technologies from synthetic biology, that occupy the boundary of the artificial and the natural, also calls for further reflection on the relation of technology with the microbiological world, and the entanglement between human health with non-human life and non-living objects, and the environment at large.
We orient this part of the research project within the discipline of Health Humanities, a field that brings together a variety of disciplines (the humanities, social sciences, the arts) to understand aspects of the human condition related to health and medicine. It seeks to use humanities knowledge and the arts to improve medical research and practice, but at the same time includes broader approaches to understanding the cultural, ethical, and religious aspects of health, disability, and trauma across human history.
FWO University of Antwerp (Philosophy), Ghent University (engineering sciences)
Professor Marjan De Mey (supervisor, Ghent)
Professor Katrien Schaubroeck (supervisor, Antwerp)
dr. Leni Van Goidsenhoven (co-superviso, Antwerp)
Professor Kristien Hens
Nele Buyst (PhD candidate Antwerp)
dr. Christina Stadlbauer (postdoc, Ghent)
Bénédicte Amery (PhD Candidate Ghent)
Timing: 2022-2026