Ensor’s Temptation of Saint Anthony: a glimpse of a cesspool of fin-de-siècle spectacle
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James Ensor, In your wildest dreams. Ensor beyond impressionism / Todts, H. [edit.]-p. 114-131
La Tentation de saint Antoine d'Ensor: un regard sur le cloaque du spectacle fin-de-siècle
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James Ensor Rêves Fantasques. Au de-là de l'impressionnisme-p. 114-131
Ensors Verzoeking van de heilige Antonius: een blik op de beerput van het fin-de-sièclespektakel
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James Ensor Stoutste Dromen. Het impressionisme voorbij / Todts, H. [edit.]-p. 114-131
“Silhouettes sur papier, figures en zinc. Le Diable-au-Corps à Bruxelles, de l’hebdomadaire au théâtre d’ombres“
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Il teatro delle riviste-Le théâtre des revues 1870-2000 /Biggi, M. I. [edit.]; et al. [edit.]-p. 55-70
A gathering place for outlaws: fugitive cinema’s alternative film distribution
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Historical journal of film, radio and television - ISSN 0143-9685- () p. 1-25
The evolution of the representation of female authorship on film: from romantic genius to demotic author
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Quarterly review of film and video - ISSN 1050-9208- (2024) p. 1-28
Harun Farocki: Forms of intelligence
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Historical journal of film, radio and television - ISSN 1465-3451- (2024) p. 1-2
Entering the Walloon Gothic : nationalist border crossing and othering in contemporary Flemish cinema
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New review of film and television studies - ISSN 1740-0309-22:3 (2024) p. 737-759
“The Word Film?” Marcel Broodthaers and cinema
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Antwerp, University of Antwerp, Faculty of Arts, Department of Literature, 2024,292 p.
Want we zijn (niet) voor elkander geboren
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Fantômas - ISSN 2795-9031- (2024.06.16) p.