Lopende onderzoeksprojecten (PhD)
On the perpetual becoming of sculpture and history and their moments of convergence
Laurence Petrone, Koninklijke Academie voor Schone Kunsten Antwerpen
On the perpetual becoming of sculpture and history and their moments of convergence (2023-2027)
Exploring the Diasporic Life of Armenian Script: a multiscript design laboratory
Garine Gokceyan, Sint Lucas Antwerp
Exploring the Diasporic Life of Armenian Script: a multiscript design laboratory (2023-2027)
Voices of Materials: Probing the Cultural Ecology of Material Finitude
Irma Földényi, Sint Lucas Antwerpen
Voices of Materials: Probing the Cultural Ecology of Material Finitude (2023-2027)
Practice: a metaphor - Metaphorizing practices and practicing metaphors
Vedran Kopljar, Koninklijke Academie voor Schone Kunsten Antwerpen
Practice: a metaphor - Metaphorizing practices and practicing metaphors (2023-2027)
Hyperwithin: a shy dramaturgy in shadowtimes
Anne-Lise Brévers, Koninklijk Conservatorium Antwerpen
Hyperwithin: a shy dramaturgy in shadowtimes (2023-2027)
De taal van Benoit
Against Forgetting: Exploring poetic gestures of return(ing) to the land in Palestine
Shayma Nader, Sint Lucas Antwerpen
Against Forgetting: Exploring poetic gestures of return(ing) to the land in Palestine (2022-2026)
Play-White: Racial Passing and Embodied Images
Bianca Baldi, Sint Lucas Antwerpen
Play-White: Racial Passing and Embodied Images (2020-2024)
Contemporary Kasala and Lukasa: towards a Reconfiguration of Identity and Geopolitics
Sammy Baloji, Sint Lucas Antwerpen
Contemporary Kasala and Lukasa: towards a Reconfiguration of Identity and Geopolitics (2020-2024)
Het medium is het geheugen, de drager het souvenir
Nicolas Baeyens, Koninklijke Academie voor Schone Kunsten Antwerpen
Het medium is het geheugen, de drager het souvenir (2020-2024)
Arpeggio in barokke klavierliteratuur
Korneel Bernolet, Koninklijk Conservatorium Antwerpen
Arpeggio in barokke klavierliteratuur (2016-...)
Relationele creativiteit. De workshop als ruimte om technische, sociale en creatieve relaties uit te bouwen
Andrea Cammarosano, Koninklijke Academie voor Schone Kunsten Antwerpen
Relationele creativiteit. De workshop als ruimte om technische, sociale en creatieve relaties uit te bouwen (2020-2024)
Connecting the dots
Lies Colman, Koninklijk Conservatorium Antwerpen
Connecting the dots (2021-2025)
Historical performance practice of post-war avant-garde music for guitar
Nico Couck, Koninklijk Conservatorium Antwerpen
Historical performance practice of post-war avant-garde music for guitar (2014-...)
Perspectives on time in the music by Stockhausen: the experience of a performer
Karin De Fleyt, Koninklijk Conservatorium Antwerpen
Perspectives on time in the music by Stockhausen: the experience of a performer (2022-2026)
Disarming Design from Palestine
Annelys de Vet, Sint Lucas Antwerpen
Disarming Design from Palestine (2019-2024)
Denkende lichamen in Dans
Klaas Devos, Koninklijk Conservatorium Antwerpen
Denkende lichamen in Dans (2020-2024)
Partisans of the Real: From Individual to Collective Creation
Els Dietvorst, Koninklijke Academie voor Schone Kunsten Antwerpen
Partisans of the Real: From Individual to Collective Creation (2018-2023)
Synaesthesia and the Interconnectedness of the Senses: An Audiovisual Perception Theory
Umut Eldem, Koninklijk Conservatorium Antwerpen
Synaesthesia and the Interconnectedness of the Senses: An Audiovisual Perception Theory (2018-2024)
Sounding Equality. Investigating how contemporary composition can contribute as artistic activism for the rights of women and girls
Geoffa Fells, Koninklijk Conservatorium Antwerpen
The politics of publishing; researching encounters between artists’ books and intersectional feminist tools
Loraine Furter, Sint Lucas Antwerpen
The politics of publishing; researching encounters between artists’ books and intersectional feminist tools (2019-2024)
De stem als instrument / Het instrument als stem
Paolo Galli, Koninklijk Conservatorium Antwerpen
Towards a theory of musical texture
Design as a Cultural Communicator
Carl Haase, PXL MAD Hasselt
Design as a Cultural Communicator (2016-...)
Embodying Forced Migration Accounts within Devastated Middle Eastern Cultural Heritage Sites: A Physical-Virtual Experience
Mona Hedayati, Sint Lucas Antwerpen
Informed phrasing
Nadav Katan, Koninklijk Conservatorium Antwerpen
Informed phrasing (2018-2024)
The Motolese Archive
Ilaria Lupo, Koninklijke Academie voor Schone Kunsten Antwerpen
The Motolese Archive (2023-2027)
The traditions of mandolin music in the regions of Asia Minor and the Ionian Islands
Maria Markatatou, Koninklijk Conservatorium Antwerpen
The traditions of mandolin music in the regions of Asia Minor and the Ionian Islands (2019-2024)
The traditions of mandolin music in the regions of Crete and Athens
Styliani Markatatou, Koninklijk Conservatorium Antwerpen
The traditions of mandolin music in the regions of Crete and Athens (2020-2024)
De orale uitvoering van visuele poëzie
Philip Meersman, Koninklijke Academie voor Schone Kunsten Antwerpen
De orale uitvoering van visuele poëzie (2017-...)
Moving towards resilience. Joint creation through music and movement for local, immigrant and refugee children
Georgia Nicolaou, Koninklijk Conservatorium Antwerpen
Moving towards resilience. Joint creation through music and movement for local, immigrant and refugee children (2022-2026)
Any Body, My Self: Conceptual Art and Personhood
Yuki Okumura, Koninklijke Academie voor Schone Kunsten Antwerpen
Any Body, My Self: Conceptual Art and Personhood (2021-2026)
Different Tubes
Chiara Percivati, Koninklijk Conservatorium Antwerpen
Different Tubes - 2021-2025
Intersecting repertoire: naar een inclusief, divers en representatief repertoire
Lauranne Paulissen, Koninklijk Conservatorium Antwerpen
Intersecting repertoire: naar een inclusief, divers en representatief repertoire (2022-2026)
Empty Pages
Bas Rogiers, Koninklijke Academie voor Schone Kunsten Antwerpen
Empty Pages (2019-2024)
La Grande Bouffe - Uitdagingen in de uitvoering van muzikale komedies
Stijn Saveniers, Koninklijk Conservatorium Antwerpen
La Grande Bouffe - Uitdagingen in de uitvoering van muzikale komedies (2021-2025)
Visions of becoming and belonging
Singing the Silences: Mediating female songs of resistance through audio-visual Performative art
Hoda Siahtiri, Sint Lucas Antwerpen
Singing the Silences: Mediating female songs of resistance through audio-visual Performative art (2020-2024)
Sense of Wonder. Artistic portals between the real and the virtual
Kristof Timmerman, Koninklijke Academie voor Schone Kunsten Antwerpen
Sense of Wonder. Artistic portals between the real and the virtual (2022-2026)
Als de kunstenaar zijn beeld inslikt
Karel Tuytschaever, Koninklijke Academie voor Schone Kunsten Antwerpen
Als de kunstenaar zijn beeld inslikt (2022-2026)
100 jaar surrealisme - Met surrealistische creatiemethodes in dialoog
Vincent Van Meenen, Koninklijk Conservatorium Antwerpen
100 jaar surrealisme – Met surrealistische creatiemethodes in dialoog (2020-2024)
Toward a Poetics of Close-To-Each-Other
Anthony Braxton's tricentric thought unit construct in post was western art music
Kobe Van Cauwenberghe, Koninklijk Conservatorium Antwerpen
Anthony Braxton's tricentric thought unit construct in post was western art music (2020-2024)
Interzone (architectuur van de rituele ruimte)
Bart Van Dijck, Koninklijke Academie voor Schone Kunsten Antwerpen
Interzone (architectuur van de rituele ruimte) (2021-2025)
Black Yarns: A Decolonial Research into the History of Black Women’s Fashion & Jewellery Design Practices
Pierre-Antoine Vettorello, Sint Lucas Antwerpen
Black Yarns: A Decolonial Research into the History of Black Women’s Fashion & Jewellery Design Practices (2021-2025)
Queering the censorship: A (self-)investigation through the first-person perspective of an experimental filmmaker in Vietnam
Việt Vũ (Quang Trung Pham), Sint Lucas Antwerpen
Towards Documentary Choreography. Intermedial approaches in working with extra-aesthetic materials
Arkadi Zaides, Koninklijk Conservatorium Antwerpen
Towards Documentary Choreography. Intermedial approaches in working with extra-aesthetic materials (2021-2025)
Movement system and sound production in marimba and percussion instruments
Anton Zhdanovich, Koninklijk Conservatorium Antwerpen
Movement system and sound production in marimba and percussion instruments (2018-...)